JAPANESE FILMS

Evangelion after Fukushima (Part 1)

“Right now, we are at the crossroad – until recently, Japanese public believed almost anything mass media said. However, they begin to distrust media, which failed to report the extent of nuclear fallout, didn’t disclose the SPEEDI data, and did nothing on food safety issues. There is a large gap between Japanese public and Mega-media. “Mega-media is not with us” – that’s how most of the public feel today. 3.11 started all. I have never seen the distrust of this magnitude before.” – Martin Fackler, the Tokyo bureau chief for the New York Times It was a rather slow tremor. …

 
JAPANESE FILMS

All About Setsuko Hara

Since last year, Shincho 45+, the Japanese magazine catering to the conservative readership, ran Setsuko Hara retrospective, not only once, but twice. A couple of articles on the actress were featured, but their marketing ploy for both occasions was the DVD packaged with the magazine, very rare silent films never released before (and of course, starring Setsuko Hara). I fell for the ploy on both occasions. Yet, Shinchosha decided to release another publication, this time whole book dedicated to Setsuko Hara, with another rare, never-released film on DVD. I decided to fall for their ploy again.

 
JAPANESE FILMS

Nikkatsu 100: A Century of Japanese Cinema

The letter “Katsu (活)” means “kinetic” as in Kinematograph and was the recurring Kanji character in vocabulary of Japanese cinema culture. As Katsudo-shasin (活動写真) is the almost literal translation of Kinematograph, many film studios had the letter “Katsu(活)” in their brand name. Tenkatsu (天活) was one of the earliest cinema studios, Tennnenn-shoku Katsudo-shasin Kabusikikaisha (天然色活動写真株式会社, 1914 – 1919), specialized in hand-painted color features. Kokusai-Katsuei (国際活映, 1919 – 1925), dubbed as Kokkatsu (国活), inherited Tenkatsu in 1919, while Taisho-Katsuei (大正活映, 1920 – 1927) or Tai-Katsu (大活) was another studio with artistic flavor. While these studios were all short-lived, spanning less than …