Someone Who Looks Like Gary Cooper (cont.)
This is part six of “Films of 1949” series (Part 1, 2, 3, 4 and 5). Nobuyoshi Araki, a renowned photographer and an artist, admires young Setsuko Hara in “Late Spring” in his own particular way. He considers her sturdy build and impressive physique the most “photogenic”, very favorable human (female) features in visual arts. For Hara was uniquely “different” from other actresses of the era in this regard, Araki notes, she radiates her visual presence on the screen tremendously. He comments rather jokingly on the scene in which Hara was readied for wedding in the last of “Late Spring”(1); …