100 Million Idiots

Mondrian-like composition in “Ohayo (1959)” Over the cups of sake, Chishu Ryu and others in the Izakaya murmur “TV creates 100 million idiots”. Yes, TV will blow their intellect out of all Japanese brains. Somebody said that. Ozu’s “Ohayo” was released in 1959. TV culture was still at its early stage and everything was experimental and new. Its technology was cutting edge of the time, and this box was the object of industrial accomplishment. However, the virtual world it offered was prime example of dysfunctional contemporary world. “TV creates 100 million idiots” was a buzzword in late 50’s. Souichi Otake, …

Nuclear Noir

Kiss Me Deadly The ending of Kiss Me Deadly (1955) has been a center of debate among its fans and critics, while the authentic ending is now in place and the alternate one is offered as an extra. As Gabrielle opens the Pandora’s Box, she is exposed to the bright light of the Hell, detonating the ultimate Doomsday device. In physics, that bright (blue) light is actually called Cherenkov radiation, and anyone who sees it too closely will die a horrible death. Intense light, including Cherenkov radiation, is created by critical state of nuclear materials, emitting enormous amount of nuclear …

Two More Fragments

Denjiro Okochi as Tange Sazen The previous post discussed the art of Jidaigeki in 1920s. Here are two more rare film clips of Denjiro Okochi. Zoku Ooka Seidan, Mazo, Kaiketsu-Hen (続大岡政談 魔像 解決篇, 1931) Directed by Daisuke Ito, cinematography by Hiromitsu Karasawa, this film is another variation of popular “Shin-Ban Ooka Seidan” trilogy. Pretty graphic. Daibosatsu Toge, Suzuka-Yama no Maki – Mibu Shimabara no Maki  (大菩薩峠 鈴鹿山の巻 壬生島原の巻, 1936) Based on the popular novel of the same title by Kaizan Nakazato, the film revolves around the character of Ryunosuke Tsukue (Daijiro Okochi), a psychopathic serial murderer in the last decades of Edo era. …